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From Publishers Weekly
Canadian radiojournalist McKay was unable to ferret out the life story of late midwife Rebecca Steele, who operated a Nova Scotia birthing center out of McKay's Bay of Fundy house in the early 20th century; the result of her unsatisfied curiousity is this debut novel. McKay writes in the voice of shipbuilder's daughter, Dora Rare, "the only daughter in five generations of Rares," who as a girl befriends the elderly and estranged Marie Babineau, long the local midwife (or traiteur), who claims to have marked Dora out from birth as her successor. After initial reluctance and increasingly intensive training, 17-year-old Dora moves in with Marie; on the eve of Dora's marriage to Archer Bigelow, Marie disappears, leaving Dora her practice. A difficult marriage, many difficult births, a patient's baby thrust on her to raise without warning and other crises (including WWI and the introduction of "clinical" birthing methods) ensue. Period advertisments, journal entries and letters to and from various characters give Dora's voice context. The book is more about the texture of Dora's life than plot, and McKay handles the proceedings with winning, unsentimental care. (Sept.)
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From Booklist
When Dr. Gilbert Thomas, self-proclaimed expert in hygienic, pain-free childbirth, opens a practice in a Nova Scotia coastal village during the World War I years, it sets the stage for a classic conflict between long-held traditions and modern medicine. Seventeen-year-old Dora Rare, the only Rare daughter within five generations, improves her lot in life by becoming the apprentice of Marie Babineau, the independent but caring Acadian midwife who helped bring several generations of Scots Bay residents into the world. The women of the village (not to mention their husbands) grow bitterly divided when Dr. Thomas calls the health and safety of expectant mothers into question. His vengeful actions toward Dora herself--a young woman looking for guidance with her own love life--turn particularly personal as well. McKay has fashioned what she terms a "literary scrapbook," reproducing and re-creating historical news clippings, advertisements, and letters within the text. This sensitively written novel of women's birthing rituals, strengths, and friendships will appeal to readers who enjoy gentle humor and plenty of homespun wisdom. Sarah Johnson
Copyright © American Library Association. All rights reserved
Review
"From the beginning of Ami McKay's debut novel, The Birth House, we know we're in for a bit of magic. . . . The Birth House is compelling and lively, beautifully conjuring a close-knit community and reminding us, as Dora notes, that the miracle happens not in birth but in the love that follows."
-The Globe and Mail
"The Birth House is filled with charming detail . . . McKay has a quiet and lyrical style that suits her subject. . . [It is] a story of individual human tenderness and endurance. . . . McKay is clearly a talented writer with a subtle sense of story, one that readers will look forward to hearing from, again and again."
-The Gazette (Montreal)
“Fresh as a loaf of homemade bread just out of the oven, The Birth House, a tale of sex, birth, love and pain will more than satisfy the hungry reader.”
-Joan Clark, author of An Audience of Chairs
“The moon over Nova Scotia must have extra magic in it to have fostered a writer of Ami McKay’s lyrical sway and grace. She retrieves our social history and lays it out before us in a collage of vivid, compelling detail. In McKay’s depiction of Dora Rare, an early twentieth century midwife, attention is paid to the day-to-day moments of love and tending that enable humans to endure. And we the readers get to witness the emergence of a powerful new voice in Canadian writing.”
-Marjorie Anderson, co-editor of Dropped Threads I and II
“Ami McKay is a marvellous storyteller who writes with a haunting and evocative voice. The novel offers a world of mystery and wisdom, a world where tradition collides with science, where life and death meet under the moon. With a startling sense of time and place The Birth House travels through a landscape that is at once deeply tender and exquisitely harsh. McKay is possessed with a brilliant narrative gift."
-Christy Ann Conlin, author of Heave
“Reading Ami McKay’s first novel is like rummaging through a sea-chest found in a Nova Scotian attic. Steeped in lore and landscape, peppered with journal entries, newspaper clippings and advertisements, this marvellous ‘literary scrapbook’ captures the harsh realities of the seacoast community of Scots Bay, Nova Scotia during WWI. With meticulous detail and visceral desciption, McKay weaves a compelling story of a woman who fights to preserve the art of midwifery, reminding us of the need, in changing times, for acts of bravery, kindness, and clear-sightedness.”
-Beth Powning, author of The Hatbox Letters
From the Hardcover edition.
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